Developing my creative practice - funding from Arts Council England

I'm pleased to announce that I have received a grant from the Arts Council England Developing your Creative Practice fund.

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Imaging the Tintagel early medieval inscribed slate

English Heritage have just announced the important and rare discovery of an early medieval stone inscribed with writing, dating from the 7th century.  I was called in by Cornwall Archaeological Unit, who discovered the stone in the summer of 2017, to help enhance the inscriptions.

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3D capture of historic costumes at Helston Museum, Cornwall

Sign reading "3D scanning project. Thanks to Cornwall Museum Partnership with funding from Arts Council England we are learning how to 3D scan our collection"

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Hendraburnick 'Quoit' - the most decorated stone in southern Britain?

Last year (2016) I was asked by Dr Andy Jones from Cornwall Archaeological Unit to record and study the surface of Hendraburnick Quoit on Bodmin Moor in Cornwall. The work, funded by Cornwall Archaeological Society, involved detailed 3D recording of the surface of the two stones that comprise the monument (which isn't actually a quoit, more a 'propped stone'). It was a complex task for which I used photogrammetry as the 3D scanning method. It involved careful planning and then taking many hundreds of high resolution photographs to guarantee coverage at an even resolution across all sides of both stones to enable careful study with millimetric levels of accuracy.

Our research was covered in the Telegraph who used the curioisty-grabbing headline "Ancient stone monuments may have been used for mysterious moonlit ceremonies, say archaeologists". A full account of the project and our interpretation of the site can be found in the article Hendraburnick ‘Quoit’: recording and dating rock art in the west of Britain in Time & Mind - the "Journal of Archaeology, Consciousness and Culture".

Analysis

After processing the 3D data I began the lengthy task of analysing the surfaces in great detail. Each potential feature was subjected to four checks using alternative methods, including virtual RTI and cross sections. I burnt a lot of midnight oil ensuring finding 'cup marks' and tracing the grooved lines that connect many of them together. I found 105 cup marks and 47 possible grooved lines connected or radiating from them, following the slope of the stone. This suggests that the lines were made in-situ rather than before the stone was moved in prehistory to its current location. This makes Hendraburnick Quoit the most known decorated or deliberately marked stone in southern Britain - possibly topping even Stonehenge in number of human-made features (152) on its surface.

The result was this plan:

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2017 so far

This year has been a strange one so far. The first months of this year saw me suffering from chronic back pain, and finding the road towards being pain free. I'm on that road, but not at the end of it yet. So, a bit of a setback.

I'm typing this on my new sit/stand electrically adjustable desk perched on an 'active' stool, standing on a soft rug. Some will view this as laughably hipster, others with back pain will know that anything is worth a try. It's definitely helping.

Now that I'm easing back into work, I've got a number of projects underway. I'm working on another shipwreck project on the Isles of Scilly to create accessible tours of a group of wrecks, and I have a number of 3D archaeological recording contracts booked in. It's always nice to do some gentle fieldwork. It might be a while before I'll be able to dig again!

Computer with microphone and headphones

Recording a voiceover using a large diaphragm condenser microphone and Focusrite audio interface using a split-screen layout for video and script.

Yesterday saw me recording a voiceover for a shipwreck dive video. It was nice to dust off some old skills and try out some new software. I think the result sounds good. I don't particularly like the sound of my own voice, but I am used to it after years of recording podcasts.

Along with a nearby colleague, I have undertaken another survey of the medieval Market Cross here in Penzance, where we have combined photogrammetry, Reflectance Transformation Imaging (RTI), traditional measured survey, and photography. We hope to produce the clearest possible images of the inscriptions and decorations and work with a specialist in medieval writing to see if we can provide an updated view of this important monument.

I'm also planning some meetings with museums in Cornwall to introduce the idea of 3D recording and public dissemination of their collections via Sketchfab. There are so many wonderful objects in the stores of Cornish museums, rarely if ever being displayed. As 3D scanning becomes easier, and the benefits are realised, I'm sure that this will become a rapidly growing area. I have my first meeting on Monday at a small museum that punches well above its weight.

Tehmina and I are planning a month-long trip to New Zealand this July/August, which is part of her work as Cornwall's ACE supported Changer Makers programme. We will visit many of New Zealand's museums for Tehmina's research, and I hope to investigate how technology is being used to record and interpret the shared pasts of the diverse groups of people who live there.

We have also joined the Folklore Society to access their journals and become more widely involved in the field of folklore research. As practitioners of some traditional Cornish customs (mainly "guise dancing" - a kind of mumming using disguises during the Christmas period) we have begun to thoroughly research it with the aim of producing academic and popular articles to draw attention to this wonderful tradition. We have discovered some wonderful things and even talked to some very elderly people who took part in guise dancing in the 1920s-40s. But that is another blog post all of its own...

So, now we're nearly half way through 2017, here's to a productive and enjoyable, and hopefully more spinally flexible rest of the year. With any luck, and I say this each year, I'll write a little more.

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