Some of the writing is very faint, and so rather than the usual technique of using 3D capture (close range laser scanning or photogrammetry), I opted to use Reflectance Transformation Imaging (RTI) to obtain our best chance of reading all of the letters.
The results were fantastic, and I was lucky enough to be perhaps the first to read some personal names from 1,300 years ago, as I processed the data from my home office.
There have been many calls via Twitter to see more of the enhanced images, so here they are (released under a Creative Commons attribution non-commercial license) with thanks to Professor Michelle Brown who conducted the interpretation and final transcription.
I’ve always enjoyed digitising things – 3D scanning, 2D scanning, extracting scratchy audio from 1/4″ reel-to-reel tape, resurrecting a Betamax machine to transfer long-forgotten clips into modern archivable digital formals, turned oral history recordings on cassette into mp3, you name it. I have scanned and catalogued more photos than I can count.
Finally, I now have the space for my own digitisation studio, which I have begun to construct. It currently consists of a sturdy copy stand with LED lighting, Canon DSLR, Epson scanner, and a decent TEAC cassette deck. There is a trusty Mac sitting at the centre of it for control, capture and editing, as well as a Soundcraft mixing desk for audio input. Coming soon is a turntable (with 78rpm stylus) and an ex-studio VHS machine. On the wish list is a Betamax player.
The copy stand, as well as useful for capturing larger and more fragile items, also allows for me to have a Reflectance Transformation Imaging (RTI) rig set up for the surface capture of small artefacts. My recent FTTP (direct fibre-optic) internet connection allows for fast transfer of very large digital files quickly.