Freelance consultant for digital heritage

Category: 3D

  • Making 3D digital archives available – the Archaeoptics Archive

    Making 3D digital archives available – the Archaeoptics Archive

    It’s completely fair to state that Archaeoptics, a Glasgow-based company established in 2000, were true pioneers of 3D data capture and processing in the world of heritage. Ahead of their time, they travelled around the UK and abroad visiting archaeologists, museums and artists, 3D scanning tiny objects up to large buildings. It really was ‘scanning’…

  • Painting the past in 3D

    Painting the past in 3D

    In early 2022 we were asked by Cornwall and Isles of Scilly Maritime Archaeology Society (CISMAS) if we could help them with an intriguing project. In the small museum on the island of Tresco, Isles of Scilly, is a large 3.5m high wooden carving from the stern (back) of HMS Colossus which was wrecked in…

  • Rock art – digital enhancement services

    We have just completed a new page summarising one of our many niche services – digital enhancement of rock art. In the past, making rock art panels clearer to study was often an invasive, destructive, and often messy activity. Chalk, paper rubbings, torchlight, mirrors, and even plaster or latex casts have all been used. The…

  • Impossible views: 3D scanning monuments in West Penwith, Cornwall

    Impossible views: 3D scanning monuments in West Penwith, Cornwall

    How can you make a solid, accurate record of an ancient monument for the archaeological record, whilst also making an accessible digital experience with novel ways to view the site highlighting its construction? We think that we’ve cracked it. Penwith Landscape Partnership asked us to capture 3D scans of four monuments as part of the…

  • Immersive 3D sound as a tool for curators

    Are you hearing my voice in your left ear? Then let’s get started. Visitors to Versailles exhibition binaural audio experience, The Met, New York City, 2018. Sound is a profoundly powerful sense. It can trigger memories, create experiences, and take people to new – and old – places. The philosophy of the Curatorial Research Centre…

  • Top 10 tips on curating 3D digital objects

    The world of meaningful 3D experiences is here today, it’s not the future. 3D capture technologies such as Structure from Motion (SfM) photogrammetry, laser scanning and structured light scanning are in 2019 fast becoming mainstream. The software is getting better, and crucially, computers, tablets and phones are now fast enough to fluidly display 3D content.…

  • 3D scanning at Cornwall’s Regimental Museum

    We have been working with Cornwall’s Regimental Museum in Bodmin to 3D scan a selection of their objects. I helped the museum to create a Sketchfab account so that they can display the 3D models online, and use the Augmented Reality (AR) features of the Sketchfab mobile app. This will allow the objects, normally housed…

  • 3D capture of historic costumes at the Museum of Cornish Life

    3D capture of historic costumes at the Museum of Cornish Life

    In December 2017 I was asked by Helston Museum to train staff and volunteers in how to use photogrammetry to record their historic costume collection in 3D. The costume gallery had closed and become a much-needed storage area. They decided that online 3D models, and possibly through screens in the museum, would be an interesting…

  • Hendraburnick ‘Quoit’ – the most decorated stone in southern Britain?

    Hendraburnick ‘Quoit’ – the most decorated stone in southern Britain?

    In 2016 I was asked by Dr Andy Jones from Cornwall Archaeological Unit to record and study the surface of Hendraburnick Quoit on Bodmin Moor in Cornwall. The work, funded by Cornwall Archaeological Society, involved detailed 3D recording of the surface of the two stones that comprise the monument (which isn’t actually a quoit, but…

  • Point Cloud Penzance – the town in 3D

    Using 3D data (LiDAR) collected by the Environment Agency through the Government Open Data initiative I have created an interactive 3D model of the town centre of Penzance, Cornwall. It’s a very detailed model, with a measurement point every 50cm or so across the entire town. There are 12.9 million vertices (points) in this model. You…